It has been quite some time since the public caught a glimpse of the acclaimed actor Daniel Day-Lewis. Following his announcement in 2017 that he would cease to pursue acting, just before the release of The Phantom Thread, the actor quietly faded from view. However, during his hiatus, his legend has only grown.
Largely, this legend revolves around his preferred style of working. Being an actor who famously immerses himself in his characters – for instance, while filming Lincoln, he had the director address him as “Mr President” throughout the shoot – the world has become increasingly obsessed with his process. Did he really send messages to co-star Sally Field in character as Lincoln? Was it accurate that he consumed solely animals he’d killed during The Last of the Mohicans? Did he insist on being spoon-fed for My Left Foot?
Madness in their method: have we lost interest with actorly excess?
Currently, Day-Lewis has returned in the limelight, somewhat reluctantly, promoting his latest movie Anemone. He is using this to express his frustration at how the Method technique is perceived. “I’m a little cross these days when I hear all kinds of people talking carelessly and saying things like ‘fully embraced the Method’, which seems suggests that a person’s acting insane in an extreme fashion,” he stated to a major publication. “People tends to focus on the less important details of the work, and those details typically include some form of self-flagellation or a situation that causes extreme unease or mental instability. But of course, in the career for a performer, it has to mainly focus on the internal work.”
Frankly, it appears like Day-Lewis has come out from his retreat only to discover shocked by the world that has been created in his image. If you’re widely considered one of the greatest performers to ever work, and your approach includes striking a prop until you break your nose (for Gangs of New York) or spending two days in isolation deprived of sustenance (during In the Name of the Father), then it stands to reason that fellow performers will want to fill that vacuum by imitating their idol.
In other words, we exist in a landscape populated by imperfect imitators of Day-Lewis who strive only to show the world the sheer amount of effort they put into their roles. At the shallow end of the pool we have people like Lady Gaga, who was determined to earn an Academy Award with House of Gucci that she spent the entire promotion trying to convince everyone that she became an Italian native over 18 months as preparation.
Additionally, there is Jared Leto, who decided to immerse himself into the role of the Joker (for Suicide Squad) by sending “disturbing” presents to his castmates. These items, depending on who you ask, range from deceased animals to anal beads and personal hygiene products, though Leto denied those worst excesses. And then, of course, we have Jim Carrey, who immersed himself so fully as Andy Kaufman for Man on the Moon that filmmakers literally managed in creating a full-length documentary out of B-roll of him causing difficulties as impossible as he could for his colleagues.
The main practitioner of the Method at the moment would appear to be Jeremy Strong (formerly Day-Lewis’s assistant), whose approach while filming Succession was so laboriously intensive that it formed the basis of a derisive magazine feature, including statements from individuals who were either concerned for his behaviour (“The toll to himself that worries me,” said Brian Cox) or annoyed beyond all measure by his actions (“I remember him causing everyone else to react with exasperation,” said an unnamed co-star).
Daniel Day-Lewis claims he ‘did not plan to stop acting, really’
We have so many other examples. Andrew Garfield abstained from sex for six months for Silence. Leonardo DiCaprio rested inside an animal carcass during The Revenant. It’s quite possible that actor Austin Butler still speaks like Elvis Presley, years following that film came out. Each of these instances, to some extent, is meant to invoke the dedication with which Day-Lewis takes his craft.
And, while his fightback against method detractors could be commendable, a brief promotional cycle may prove insufficient to change anyone’s mind, let alone their behaviour. Perhaps if he wishes to remind people what method acting is, or to show them its potential results, then Day-Lewis’s best bet is to just start making more films. Surely everyone would get behind that.
Elara Vance is a gaming enthusiast and analyst with over a decade of experience in online casinos, specializing in slot machine mechanics and player strategies.